Animated 3d Feature Film Production Schedule Page 4

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disengagement throughout the movie). While “filmmaking by focus group” is ill-advised, cautionary tales abound of producers
who conversely turned a blind eye to observable audience feedback during the production, and suffered the consequences upon
release (provided they could even obtain distribution). Confidentiality concerns must be weighed against the equally significant
risks associated with creating a film in isolation – especially if that film is intended for mass markets. Well-spaced, well-executed
and well-digested test screenings are the tentpoles that support the fabric of production.
DEPARTMENT TASKS
Following are notes related to the specific departments and line item tasks contained within the above schedule.
Storyboard/Animatic
Starting with a complete draft of the screenplay, a team of story artists boards the film in its entirety over the course of 6 months.
Animation is a uniquely visual medium, and the storyboarding process can inform changes to the shooting script that add
enormous entertainment value.
Therefore, the ideal relationship between writing and boarding is a synergistic cycle that
ultimately reflects itself in the animation. An animatic is created from the storyboards, and is given an objective test screening
th
after 5 months of storyboarding. Audience notes are addressed in the 6
month of story work.
With a satisfactory animatic in place as the foundation of the film’s workreel, the story team rolls onto another production. Six
months later, some or all of the story team returns to address notes resulting from the mid-production test screening. This
process is repeated after another six months, following the final test screening. If the budget permits, the production may choose
to keep the story supervisor on board during the entire production.
Reading/Recording
nd
th
th
Time for vocal recording, foley and temp score is initially allocated on this schedule in the 2
, 4
and 6
months, and then again
in response to each test screening (final scoring is contained within the “Post-Production” line item in the second-to-last row).
The staggering of recording studio time gives the story team time to work out material that will drive performance, but recording
time can obviously be scheduled whenever the producer likes.

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